Box Office: 843.577.7183 | Home | Login | Press
Julian Wiles, Founder and Producing Artistic Director
Marybeth Clark, Associate Artistic Director

December 9, 2015

An Inside Look at the Sound Design for “A Christmas Story”

Filed under: Back Stage Blog — julianw @ 12:40 pm

b6f9a2ca-d197-4746-88e7-5ec21dbdcd1b

Sounds of the Jungle 

We recently sat down with DJ Edwards, Charleston Stage’s Audio Engineer and Sound Designer for A Christmas Story, asking him about the steps he takes in designing sound for particular scenes in this production. DJ responded, “To capture the ‘lost in the jungle’ feel for one of the Ralphie dream sequences in A Christmas Story, Director Julian Wiles asked me to create jungle noises that would introduce the sounds of exotic animals which might scare Ralphie and his friends in this particular scene. So, I designed an ambience which was announced with the sounds of a tiger’s roar, an elephant’s trumpet and growl and the call of a loon. As the animal noises fade out, the audience hears jungle birds and insects that play throughout the rest of the scene.”

“All of these cues are executed by Logan Teder, one of the TheatreWings apprentices in my sound class,” say Edwards. “Logan has used all of his knowledge from the past few months to be my right-hand-man, running the sound cues and fixing any problematic microphones throughout the show. I’m working behind the sound board during each performance of A Christmas Story, so having someone like Logan there to help is crucial. The TheatreWings program is as beneficial to me as it is to our high school apprentices.”

To experience DJ’s sound design firsthand, you can still catch a performance of A Christmas Story running this Thursday through Dec. 20th at the Dock! Click here to purchase tickets.

 

 

 

 

December 1, 2015

The Legend of the Leg Lamp!

Filed under: Back Stage Blog — julianw @ 4:54 pm

dacfd8c2-6229-463f-9d60-c3e08852d149

The iconic leg lamp from A Christmas Story has to be one of the most bizarre and recognizable props in movie history. The Christmas Story leg lamp first appeared in radio personality Jean Shepherd’s short story My Old Man and the Lascivious Special Award That Heralded the Birth of Pop Art -one of the many short stories in his best-selling book In God We Trust: All Other Pay Cash! – from which A Christmas Story the movie was based. Shepherd said he got the idea for the lamp after seeing an illuminated Nehi Soda commercial from the 1940’s.

When the Christmas Story movie was made, the task of bringing the leg lamp to life fell to movie production designer Reuben Freed. He made sketches of several possible designs and one caught the eye of author Jean Shepherd who, when he saw it, said “that’s it!” and the rest is history. Unfortunately none of the three original lamps made for the movie survived. All three were broken in the course of filming. But you can still buy replicas of the lamp and give yourself your very own “major award” – thousands of leg lamp replicas are sold each year. For more information on the legendary Christmas Story leg lamp and how you can order your very own visit achristmasstoryhouse.com.

 leglamp
“A Christmas Story”
December 2 – 20, 2015, at the Historic Dock Street Theatre
For Tickets, Call (843) 577-7183 or Purchase Online by Clicking Here.

 

 

 

November 23, 2015

Zounds! The Bumpus Hounds Are On the Loose!

Filed under: Back Stage Blog — julianw @ 1:34 pm

BumpusHounds

 

One of the funniest moments in A Christmas Story is when the hound dogs, owned by the Bumpus family next door, break in and devour the Christmas turkey at Ralphie Parker’s house. These dogs are notorious for hounding Ralphie’s father by eating the Parker’s mail and one of his shoes. “We knew it was essential to find a way to portray this iconic scene. Since we didn’t have any hound dogs audition,” explained A Christmas Story director, Julian Wiles, “we had to be creative. We learned from our friends at Pet Helpers that they had a beautiful hound dog name Vincent at their shelter. So Victor Clark, who plays Ralphie’s father, and I headed over to the shelter to do a photoshoot with Vincent, a massive but incredibly friendly blood hound. Since we already planned to use a number of projections in the show, adding photos of Vic and Vincent seemed like the perfect solution. Despite his humongous size, Vincent is a sweet and obedient dog and our two actors (man and man’s best friend) got along great. I photographed some fun shots, as you can see featured in this blog. To make the pictures look like old family photos that you might see from the 1940s, we converted them to black and white. Sound Designer DJ Edwards added some barking sound effects and the Bumpus hounds came to life!”

 

BumpusHounds2


“A Christmas Story”
December 2 – 20, 2015, at the Historic Dock Street Theatre
For Tickets, Call (843) 577-7183 or Purchase Online by Clicking Here.

Meet Miles Kendrick: Ralphie in “A Christmas Story”

Filed under: Back Stage Blog — julianw @ 1:00 pm

2296f42d-aa32-4035-a547-0552df30fc1a

Ralphie in this year’s live production of A Christmas Story is played by Miles Kendrick, a sixth grade theatre major at Charleston County’s School of the Arts. Some folks might remember Miles because three years ago he played Ralphie’s little brother Randy. “It’s kind of weird playing the big brother now. I enjoyed playing Randy, especially getting to put oatmeal all over my face and hands” says Miles. When asked how he got started in the theatre, Miles says it was his big sister, Sophie, who got him interested. Sophie had performed with Charleston Stage in A Christmas Carol and Peter Pan and was a member of Charleston Stage’s TheatreWings High School Apprentice Program. She is currently a freshman at DePaul University in Chicago studying Communications. Miles’s first role was as an Oompa Loompa in Charleston Stage’s SummerStage production of Raold Dahl’s classic Willy Wonka and the Chocolate Factory.  “I love Raold Dahl,” says Miles. “I just finished his autobiography and my goal is to read all of his books. Right now I’m reading The BFG.” When asked what his favorite part of acting is, Miles says “What I really like about acting is becoming characters who are nothing like me and doing things I would never do in real life.”

Miles, a member of Charleston Stage’s Performance Troupe, has also appeared in Tales of a Fourth Grade Nothing and The Best Christmas Pageant Ever.


“A Christmas Story”
December 2 – 20, 2015, at the Historic Dock Street Theatre
For Tickets, Call (843) 577-7183 or Purchase Online by Clicking Here.

 

 

 

March 26, 2015

Exclusive Interview With the Real Frank Abagnale, Jr.

Filed under: Back Stage Blog — julianw @ 10:47 am

 

Featured: The real Frank Abagnale, Jr., now a resident of Charleston, SC.

 

Q:  Tell us how Catch Me If You Can became a book and later a movie.
A:  Actually it was Johnny Carson who suggested I turn my story into a book.  I had appeared on the Carson show several times, and he put me in touch with an agent and at 27, my story became a book.  It is still in print and there are editions in more than 39 languages.



Featured:  (Left to Right)  Frank Abagnale, Jr. and TV host Johnny Carson on The Tonight Show, 1978.  The segment, scheduled for six minutes, lasted 20.

 

Q:  What about the movie?
A:  It is absolutely an amazing story—one that perhaps should be its own book!  Again, after an appearance on Johnny Carson, Norman Lear and Bud Yorkin bought the rights and the rights were sold and resold over the years moving from studio to studio until finally years later they found their way to Dreamworks with Steven Spielberg slated to direct.  It was worth the wait.

 

Q:  Did you get to meet the stars?
A:  Yes, I spent a lot of time with Leonardo, visiting him at his home where we went over in great detail my past, my habits and mannerisms.  He was fun to be with and a great host.  Tom Hanks was also very kind to me and my family, always in a good mood and a lot of fun to work with.  By the way, I made a cameo in the film.  I’m the French police officer that arrests Leonardo.

 

Featured:  (Left to Right)  Steven Spielberg, Leonardo DiCaprio, Tom Hanks and
Frank Abagnale, Jr. in a publicity shot for Catch Me If You Can (the movie) in 2002.

 

Q:  Were you involved with the musical?
A:  I wasn’t directly involved although I was invited to an earlier showcase when the show was being put together and later of course, I attended the opening as well as many productions around the country.  I’m very excited we will now have one right here in my back yard.

 

Q:  How accurate is the film and musical to your real life.
A:  I’d say it’s about 80% accurate.  Spielberg told me as this was getting started that you can’t squeeze five years of someone’s like into a two hour film without taking out some details.  The film changed my family structure, some of my impersonations, omitted prison time I served in Sweden and my escape from Federal custody.

 

Q:  Have you remained friends with the FBI Agent who caught you?  He’s called Hanratty in the film and musical?
A:  Oh, yes, his real name is Joseph Shea, and we’ve remained in touch over the years, and he’s gotten to see me turn my life around and watch my children grow up.

 

Q:  While you’re famous for your exploits from age 16-21, you’ve had a great “second act.”  Can you tell us a little bit about that?
A:  I and my wife of 38 years now make our home in Charleston.  I am also the proud father of three sons and grandfather of four.

After serving 5 years for my youthful exploits, I was paroled and for the past 39 years, I have been a consultant to the FBI helping train thousands of agents at the FBI Academy in Quantico, Virginia, and in the 56 Bureau field offices across the country.

My work has evolved over time.  Initially I worked with high security printers around the world on secure items such as passports, checks, car titles and birth certificates.  For the past ten years, I’ve worked with The 41st Parameter (www.41st.com) on technology that combats cybercrime.  Today this technology is used by eight of the ten largest U. S. Banks, all the major airlines and many retailers from Amazon to Neiman Marcus.  The 41st Parameter was recently sold to Experian to take this technology worldwide.   I currently work on retainer to companies like Intuit, LexisNexis and Experian.  I have also written five books on crime.

 



FUN FACT: 
The photo above features Frank Abagnale, Jr. speaking to all 50 state Attorneys General at the winter meeting of the National Association of Attorneys General in Washington, DC on Tuesday, February 24, 2015.  Mr. Abagnale also was the keynote speaker at the summer meeting of NAAG held in Fort Lauderdale.  Mr. Abagnale talked about cybercrime, fraud and other white collar crimes.

 

Charleston Stage’s production of “Catch Me If You Can: The Musical” runs April 3 – 26, 2015, at the Historic Dock Street Theatre.  For tickets, call (843) 577-7183 or purchase online by clicking here.  See you at the Dock!

 

 

 

 

December 15, 2014

Young Actors Shine In Holiday Productions

Filed under: Back Stage Blog — julianw @ 12:39 pm

 

This season, 30 young actors are currently taking the stage in key roles in A Christmas Carol and The Best Christmas Pageant Ever.  “All of the young performers in these two productions come from Charleston Stage’s Education Programs,” says Marybeth Clark, Associate Artistic Director and Director of Education.  “Most have had several years of classes in acting, singing and dancing and all audition and were accepted into Charleston Stage’s Performance Troupe.”  Performance Troupe meets in weekly workshops to further develop youth actor’s talents.  Each August members of Performance Troupe are asked to audition for Charleston Stage’s MainStage and Family Series productions.  Two of this year’s performers are indicative of the dedication, hard work and talent of our Troupe members.  Fourth grader Boris Pekar who is playing Tiny Tim in A Christmas Carol is in his first year of Performance Troupe.  Last season, Boris starred as Prince Eric in SummerStage’s The Little Mermaid Jr.  “The hardest part of playing Tiny Tim is learning to use a crutch and the accent,” says Boris.  “I’m most excited about having a big part and being in a MainStage production.”

10-year-old Sophia McCoy is currently playing the role of Gladys Herdman in The Best Christmas Pageant Ever and is already a seasoned pro having performed as Molly in last season’s holiday production of Annie.  “I love playing a naughty orphan kid so I can be mean,” says Sophia.  “I hope I’m a nice person offstage, and being mean onstage is different for me.  Sometimes it’s hard to act mean because I don’t want to hurt anybody.”  Sophia has been a member of Charleston Stage’s Performance Troupe for 2 years.

To learn more about Charleston Stage’s Education classes, please visit http://www.charlestonstage.com/education.html. Registration for 2015 Spring classes is now available online!

 

Featured (left to right): Charleston Stage TheatreWings Master Class Actor Harrison Reed as Peter Cratchit, Charleston Stage Professional Resident Actor John Michael Chappell as Bob Cratchit and Charleston Stage Performance Troupe Member Boris Pekar as Tiny Tim in "A Christmas Carol."

Featured center: Charleston Stage Performance Troupe Member Boris Pekar as Tiny Tim in "A Christmas Carol."

Featured center (standing on stool): Charleston Stage Performance Troupe Member Sophia McCoy as Gladys Herdman in "The Best Christmas Pageant Ever."

Featured left (as angel): Charleston Stage Performance Troupe Member Sophia McCoy as Gladys Herdman in "The Best Christmas Pageant Ever."

December 8, 2014

Resident Actor Makes Directorial Debut With “The Best Christmas Pageant Ever”

Filed under: Back Stage Blog — julianw @ 10:07 am

Featured: Charleston Stage 2014-15 Professional Resident Actor Jesse Siak.

 

Q:  Tell us about yourself.  Where are you from and how did you get involved in theatre?

JESSE: I am from Hendersonville, NC.  I always enjoyed doing voices and performing plays in our back yard.  When I was ten, my mom decided to do something about this and enrolled me in classes at Flat Rock Playhouse in Flat Rock, NC, so that I could find a creative outlet for all my craziness.

 

Q:  Where did you attend school?

JESSE: I went to Catawba College in Salisbury, NC.  There, I received by BA in Theatre Education.  I have been training in theatre since I was ten at Flat Rock Playhouse in Flat Rock, NC, as well as South Carolina Children’s Theatre in Greenville, SC, under the instruction of Betsy Bisson.

 

Q:  You’re a second year Resident Actor.  How has your experience been as a Resident Actor and what are your thoughts on this program?

JESSE: My experience has always been pretty incredible.  I think the Charleston Stage program offers so many opportunities for artistic growth.  From performing in 6 plays each season to teaching classes for Charleston Stage’s TheatreSchool as well as in-school workshops, you are continually growing and learning.  My favorite roles have included Henry in Next to Normal, Watson in Sherlock Holmes: The Final Adventure, Wilbur in Charlotte’s Web, and most recently, Dr. Frederick Frankenstein in The New Mel Brooks Musical Young Frankenstein.

 

Q:  You are also the Coordinator for the TheatreWings Apprentice Program.  What is TheatreWings?

JESSE: The TheatreWings program offers many different ways for high school students to expand their knowledge and love of the theatre arts.  The students are broken into “Concentrations” where they attend weekly classes and learn about specific areas of theatre.  The concentrations are:  Acting, Sound Production/Design, Costume Production/Design and Stage Management.  Each TheatreWings student must also be a member of at least one backstage crew during the Charleston Stage season.  Their backstage roles include, sound technician, stage management, wardrobe, and deck crew. As the TheatreWings Coordinator, I am trying to build a program where our students become multi-faceted in all the theatre arts.  We want to show them that theatre isn’t just about acting, and that many parts working together makes the theatre world go round.   I want them to be more professional students, and my goal is to fully prepare them for continuing theatre in higher education.   TheatreWings is a college prep course, and I want to send our apprentices into the world as prepared, respectable, and knowledgeable people as they can be.

 

Q:  Tell us about your directorial debut for Charleston Stage in The Best Christmas Pageant Ever.

JESSE: This has been a great experience.  It is wonderful working with such professional and talented students.  Many of these students have been in Charleston Stage’s Performance Troupe for several years.  Performance Troupe is our upper elementary and middle school acting training class that teaches about acting, dance, singing and general theatrical practices.  At this stage in the process, I have found that my cast has tremendous work ethic, technique and talent.  Some people say that directing is mainly about getting a great cast together… I don’t agree entirely, though having such an incredible group really helps!

 

Q:  What roles are coming up next for you with Charleston Stage?

JESSE: I am currently playing Jacob Marley/Butcher/Fezziwig/Topper in A Christmas Carol and will be playing Benjamin Cohen in The Underpants.

 

Featured: (left to right) Curtis Worthington as Ebenezer Scrooge and Charleston Stage Professional Resident Actor Jesse Siak as the Ghost of Jacob Marley in "A Christmas Carol."

 

Featured: The cast of Charleston Stage's "The Best Christmas Pageant Ever."

Featured: (left to right) Veteran Actor Kyle Barnette as The Monster and Charleston Stage Professional Resident Actor Jesse Siak as Dr. Frankenstein in "The New Mel Brooks Musical Young Frankenstein."

Featured: (left to right) Charleston Stage Professional Resident Actors Jesse Siak as Watson and Jacob Dickey as Sherlock Holmes in "Sherlock Holmes: The Final Adventure."

 

December 3, 2014

The Hallatts Reprise Their Roles In “A Christmas Carol”

Filed under: Back Stage Blog — julianw @ 2:19 pm

Featured: David Hallatt as Mr. Wiggins and Susie Hallatt as Mrs. Tabor.

 

Recently we interviewed David and Susie Hallatt who are no strangers to the Dock Street Theatre stage. Here’s what they had to say about performing with Charleston Stage in this season’s “A Christmas Carol.”

 

Q1. You’re reprising your roles as The Ghosts of Christmas Past and Present. What makes each of these roles so magical for you both?

SUSIE: “A Christmas Carol” is probably my most favorite story, because it is a story of redemption, love and how even the meanest human being can find grace. The role of Ghost of Christmas Past is special because very few people are really forced to revisit their past; if we did, we might find ourselves making better choices in the present! I am studying history at the College of Charleston, so showing people the value of history is very close to my heart.

DAVID: My English heritage makes this particular story very significant for me, and the fact that when you add longer hair and a white beard I look (and feel) very much like Father Christmas. It is very special indeed!! In previous productions I’ve played Marley’s Ghost and Mr. Fezziwig, but I feel that I was born to play this Ghost. When little children come up to me in Target or Bi-Lo and ask me if I’m Santa Claus, I realize how special this is not just for me but for every child (young and old)!

 

Q2. What have you learned from performing these roles and how have they developed over time?

SUSIE: I think the Ghost herself sums it up best for me on this one: everyone should pause to take a look at the shadows they have cast – its the same message you get from Frank Capra’s “It’s a Wonderful Life.” Sometimes what you have done has not only affected your life’s path, but others as well.

DAVID: I’ve learned that each person celebrates Christmas in a different way, and that having a great deal of money doesn’t mean that you will necessarily be happy. It’s tricky playing a role like this – as an actor, you want to continue to develop the personality, but you also have to be aware that the audience has definite expectations that you have to meet.

 

Q3. What is your involvement in the Charleston Theater scene?

SUSIE: David and I moved to Charleston in 2003, and have performed as often as possible with many of the local theaters here. I’ve worked with Footlight Players and the Village Playhouse. I started at Charleston Stage as Dottie in “Noises Off”; David and I also did “Ragtime”, “The Producers”, and of course “A Christmas Carol” together – we’ve been privileged to perform in this show four times together.

DAVID: Susie and I were both in a production of “The Elephant Man” at Footlight Players when we first arrived in Charleston in 2003. Since then I have acted and directed with Footlight Players, Village Playhouse and Charleston Stage. Besides being in “A Christmas Carol” for Charleston Stage, I have enjoyed playing Lazar Wolf in “Fiddler on the Roof” as well as the Judge in “To Kill a Mockingbird” and several roles in “The Producers.”

 

Q4. Why is theater so important to you?

SUSIE: I’ve been a part of the theater community in every place I’ve lived since 1983. After my family, theater is the most important thing in my life. Arts and culture are the essence of Charleston, and the variety of theater programs in the area, especially for young people, is truly staggering. I am so happy to live where others appreciate the arts, especially theater!

DAVID: It is important to continue to produce live theater; so many people are exposed to drama and comedy as recorded events, and wouldn’t realize the joy of live production without theater. It’s important in Charleston as it is anywhere to encourage our community to participate in theater, both onstage and in the audience. The hard part is figuring out how to get them in!

 

Q5. What do you do in your spare time?

SUSIE: Theater!!! And my day job is with the Graduate School of the University of Charleston, South Carolina, at the College of Charleston, where I help people become graduate students and work toward a master’s level degree.

DAVID: I enjoy watching sports and reading, but I also love to participate in theater with my wife Susie in my spare time. I work for the South Carolina Department of Motor Vehicles in their Leeds Avenue office.

 

Featured: Curtis Worthington as Ebenezer Scrooge and Susie Hallatt as The Ghost of Christmas Past.

 

Featured from left to right: Curtis Worthington as Ebenezer Scrooge and David Hallatt as The Ghost of Christmas Present.

 

 

 

 

September 16, 2014

A Tribute to Laura Hewitt

Filed under: Back Stage Blog — julianw @ 11:53 am

(Photo courtesy of Wade Spees/The Post and Courier)

 

Charleston Stage lost one of its dearest friends on Monday.

Laura Hewitt gave so very much to our community over the years. She served on many of Charleston’s leading non-profit boards, chairing fundraiser after fundraiser and cheering on those in the non-profit and arts worlds of the Lowcountry. She inspired a generation of artistic and social service organizations and made us all want to do our best. Because of her efforts, Laura made a difference in literally thousands of lives, both young and old, throughout our community.

Laura served as one of Charleston Stage’s first gala and auction chairs, growing this annual event into one of Charleston’s premiere fundraisers and providing the funding to enrich and expand Charleston Stage’s education programs. Laura served as vice-president and president of the Board of Trustees for multiple terms. As president, she oversaw the creation of Charleston Stage’s Resident Professional Acting Company, which has brought over 60 full-time professional actors to the Dock Street stage to perform—actors who have also provided numerous enriching and imaginative workshops in area schools.

Laura and her husband, Bill, have sponsored a Charleston Stage MainStage production each season for almost 20 years, including last season’s Gershwin at Folly. Laura was especially supportive of original works and always encouraged us to produce “something new”.

Laura was the epitome of one who gave her time, talent and treasure to her community. I remember at her very first board meeting she raised her hand and offered to sponsor an upcoming production of My Fair Lady. But her real gift was sharing her no-nonsense, straightforward and wise counsel with us. Without her leadership and guidance over so many years, Charleston Stage would be a shadow of what it is today.

More than anything, it was Laura’s never failing enthusiasm—not just for what we were producing but more importantly what we might produce next—that continued to inspire us. Her enthusiasm, time and time again, challenged us and made us a better organization. In many ways, it was her contagious energy that helped to set the stage for Charleston Stage’s remarkable growth during her many years of support and patronage.

Charleston and Charleston Stage have lost a treasured friend. I have no doubt, however, that for Charleston Stage and for the many other organizations with whom Laura worked, her enthusiasm lives on and will continue to inspire us for many years to come.

Thank you, Laura. We will miss you.

Julian Wiles
Charleston Stage
Founder and Producing Artistic Director

 

 

 

 

September 11, 2014

Adopt a Star

Filed under: Back Stage Blog — julianw @ 10:52 am

 

Our adorable furry stars of “You Can’t Take It With You” are looking for a quieter life off the stage.

Feline Freedom Coalition focuses on the adoption of socialized feral cats and kittens through PetSmart’s Adoption Outreach Program and you can help.

Charleston Stage audience members have adopted other furry stars from past productions such as Bruiser, the “Legally Blonde” Chihuahua, Gwyneth, the rabbit from “The Secret Garden” and even the rat from “Dracula”.

Help us continue these great partnerships and give these sweeties a new home or help us find one.  If you are interested or know someone who is, please contact Marybeth Clark at mclark@charlestonstage.com.

Adoption fee is $75/kitten

Adoption ‘package’ includes: spay/neuter, rabies, distemper, microchip, de-worming, flea treatment and combo test. Feline Freedom Coalition tries to get kittens fixed at 12 weeks (if healthy) so that they can get the rabies shot at the same time. In certain situations, the Coalition may approve a ‘pre-adoption’ and let the adopting family essentially foster kittens until they’re old enough to get fixed. These kittens have already received their first round of de-worming and initial flea treatment and the Coalitions’ estimate is that the kittens are around 8 weeks.

For more information about Feline Freedom Coalition visit their website at www.felinefreedom.org.

Feline Freedom Coalition
P.O. Box 874, Ravenel, SC 29470
(843) 737-6170

 

 

 

Next Page »
Follow Us:   FaceBook-32x32  Twitter-32x32  Vimeo  flickr  blog_button
Charleston Web Design by Hannush