Q: Where did you grow up?  Were there any activities you did as a child that led to your passion for the arts?

A: I was born and raised in Lincoln, Nebraska, and spent my entire childhood immersed in the arts. My stage debut was dancing for 36 seconds as a Candy Cane in the holiday ballet The Nutcracker, and from there I found my niche in theatre, making my debut as Scout in To Kill a Mockingbird at Nebraska Wesleyan University. I was able to perform in numerous community theatre productions and take dance, piano, voice and oboe lessons through high school, under the direction of incredible teachers who became my role models and taught me invaluable arts and life lessons. My parents showed me how important it is to support the arts in your community, by serving on local boards such as Nebraskans for Public Television, the Lincoln Community Playhouse, the Lincoln Arts Council and the Sheldon Art Association which, in turn, introduced me to the field of arts management.

 

Q: Where did you receive training?  How did this prepare you for your work in the theatre world?

A: I attended University of Evansville (Evansville, IN) and received a B.S. in Theatre Management. Though my degree was very specialized, I also got a broad liberal arts education. Since the Theatre Management program was small, I was able to delve into many different parts of arts administration such as publicity, house management, group sales, working with the Theatre Society board and an Adopt-a-Student program where community residents “adopted“ far from home theatre majors.

I also had amazing summer internships while in college, spending one summer interning in General Management and Special Events at La Jolla Playhouse in La Jolla, California, another summer interning in Development at Manhattan Theatre Club in New York City, New York and another as a Development Apprentice for Spoleto Festival USA, which brought me to Charleston for the first time.

 

Q: Briefly describe your position at Charleston Stage and what you do for the company.

A: As Director of Development I create and execute Charleston Stage’s annual fundraising plan, securing financial support from individuals, foundations and corporations through direct support and special events. In general I help our patrons and audience members feel more connected to Charleston Stage on a personal level, and show them how important their support is to the company.

 

Q: Where have you worked previously before Charleston Stage?

A: I first moved to Charleston to work in Special Events for Spoleto Festival USA, then secured a position here at Charleston Stage as the Donor Relations and Special Events Manager. I returned to Spoleto Festival USA for 3 years, working in a variety of Development positions before transitioning from performing arts to cultural arts and advocacy as the Strategic Partnerships Coordinator for Historic Charleston Foundation for two and a half years. I’m thrilled to be back in the performing arts arena with Charleston Stage.

 

Q: What do you do in your spare time?

A: I enjoy staying active by taking fitness classes and spending time outside, especially with my husband Glenn and miniature dachshund Harper Lee (To Kill a Mockingbird has been a very influential play and book in my life). I also love to read, play piano, hide out in local coffee shops, give back to the community through organizations such as the Junior League of Charleston, and spend quality time with family and friends.

 

 

 

 

 

Q: Where did you grow up?  Were there any activities you did as a child that led to your passion for the arts?

A: My family moved from LaPlata, Maryland, to Gainesville, Georgia, when I was in Kindergarten and I was picked to play the “Goldilocks” character in our school play. This began a life-long love of acting and theater arts education.

 

Q: Where did you receive training?  How did this prepare you for your work in the theatre world?

A: I received training at Guilford College, USC-Aiken and The University of South Carolina from which I received an MFA in Design. I completed an internship with The Seattle Repertory Theater in 2009 and since then have focused on starting a family and designing costumes for various theatrical productions in Columbia, SC.

The highlight of my training and education was attending the Prague Quadrennial in 2007, the largest scenography event in the world. Working with people from all over the globe to create performance art, puppetry and music was not only inspirational but introduced me to the work and professionalism of artists, designers, scenographers and other theater professionals.

 

Q: Briefly describe your position at Charleston Stage and what you do for the company.

A: I have the pleasure of being the new Costume Shop Manager. The purpose of my role within Charleston Stage is to work with our Resident Costumer, Barbara Young, in the organization and scheduling of fittings, costume builds and costume production schedules. I will be here to help manage the new Costume Shop, communicate with other areas of production and help identify new areas of growth within the Costume Department.

 

Q: Where have you worked previously before Charleston Stage?

A: Since my internship with Seattle Rep, I have designed costumes in Columbia, SC, for Trustus Theater and the Irmo/Chapin Recreation Commission (in their Educational Theater programs). I have worked as the Costume Shop Manager at USC-Aiken and instructed a Costume Lab class, guiding students in the design and production of costumes for their MainStage production.

 

Q: What do you do in your spare time?

A: My favorite thing to do with my spare time (other than spending time with my husband and son who turns 2 this Halloween) is to volunteer for Girls Rock Camp, a summer camp for girls who learn how to be in a rock band, write their own song, culminating in a public performance at the end of just one week! I have taken music lessons for most of my life, both vocal and instrumental. I strive to learn how to play as many instruments as possible from harp to ukulele, guitar and most recently piano.

 

 

 

 

Charleston Stage’s Sensory-Friendly Performance Series

 

Charleston, SC (June 9, 2016) – Charleston Stage, in residence at the Historic Dock Street Theatre, has been awarded $25,000 from Charleston Regional Alliance for the Arts via the Boeing Vision Award for Charleston Stage’s Sensory-Friendly Performances performed at the Dock Street Theatre.

This award through the Charleston Regional Alliance for the Arts will help fund Charleston Stage’s sensory-friendly performances for special needs children and their families.

“We are so excited to be able to help Charleston Stage launch this wonderful initiative. Bringing the arts to underserved individuals is critical, and providing an inclusive performing arts experience for everyone will be such a positive addition to our community,” says Mike Gibbons, Executive Director for the Charleston Regional Alliance for the Arts (Arts Alliance).

The Boeing Vision Award is given to a non-profit member of the Arts Alliance that has put forth a bold project vision for an innovative arts concept, in particular one that would benefit marginalized or underserved communities.

Charleston Stage was selected by a five-person panel that included members of the arts, education, and business communities, and that was approved by the Charleston Regional Alliance for the Arts Board of Directors.

“Charleston Stage is very honored to receive the Boeing Vision Award which will allow us to continue to expand access to our productions. Charleston Stage is committed to expanding accessibility to all our productions, and this gift in support of Sensory-Friendly performances for three shows next season will allow us to expand this mission. We appreciate the support of both Boeing and the Charleston Regional Alliance for the Arts in making these Charleston Stage performances available to the Asperger’s Syndrome/Autistic Community and their families”, says Julian Wiles, Founder and Producing Artistic Director.

Founded by playwright Julian Wiles in 1978 as a theatre for youth, Charleston Stage has grown to be South Carolina’s largest professional theatre company. In residence at the Historic Dock Street Theatre, it has produced over 150 plays and musicals for an audience of over 1 million. Charleston Stage employs 19 full-time staff members including an education staff of 10 plus numerous guest artists. Theatre Arts Education and Outreach programs continue to be a cornerstone of the company’s mission.

This past season, Charleston Stage launched its first ever sensory-friendly performance for special needs children and their families. It was a great success, and thus Charleston Stage is proposing this project as an ongoing initiative for this underserved community by holding one performance for each our three Family Series productions each season as a sensory-friendly performance.

The goal of this project is to educate and expose children on the Autism Spectrum and others with sensory sensitivities to the enrichment of live professional performing arts.

Children on the Autism Spectrum have what are described as sensory sensitivities. These sensitivities limit the educational exposure to live performing arts due to the nature of theatre etiquette and the large crowds it draws. The lack of exposure to these priceless arts education experiences is something Charleston Stage will remedy with our sensory-friendly performances, the first of its kind in the Lowcountry. By educating and raising these children up, we raise everyone up.

Children, families, teachers and therapists will have the opportunity to attend special live performances of Charleston Stage’s Family Series productions. Materials to enhance the educational value of the performances will accompany these productions.

Modeled after the same projects at the Kennedy Center, Lincoln Center and Broadway, sensory-friendly performances are specifically designed to be comforting for those with sensory sensitivities. Some of what that entails includes altering the theatre environment, providing a sensory-friendly, comfortable and judgment-free space that is welcoming to all families. The performance itself will be adjusted with special attention paid to lighting and sound.

 

Contact: Brian Porter, Director of Administration
PO Box 356
Charleston, SC 29402
(843) 647-7373
bporter@charlestonstage.com

 

 

 

Q1: Tell us about your first memory of seeing “Mary Poppins” or reading the books?

I don’t remember reading the books, but I do remember being completely captivated by the movie! I would dance around singing the songs and always wanted to be the guy who sang “I Love to Laugh”, which unfortunately isn’t in the stage production.

 

Q2: What role do you play?   

In this production, I get to play the Bird Woman! I am so excited about this role! The Bird Woman is such a mysterious and mis-understood character. I look forward to getting to know her!

 

Q3: What was the funnest part of the rehearsal process for “Mary Poppins”? 

I am hooked on the entire process of every show. Watching everything come together during rehearsals is so great to watch. Choreography rehearsals are always fun too!

 

Q4: Where are you originally from?

I was born and raised in Southern California. I grew up performing! It was always my dream to be a performer and it amazes me every day that I am living that dream! I have lived all over the country and even spent 3 years living in Japan with my husband and two sons.

 

Q5: How did you get involved in theatre?

I remember the first time I ever did a solo was in Middle School and I was hooked! I continued taking classes in school and after school programs and when I was 16 I asked my Mom if I could get an agent… I was hooked!

 

Q6: Where did you receive your theatre training?  

Toward the end of my Junior year of High School, I decided that I wanted to go to an acting conservatory. I did some research and decided to audition for The American Academy of Dramatic Arts. I was accepted at the beginning of my Senior year and after graduation, I moved to LA to start school. I ended up being invited back for a second year and completing the program! It was an amazing experience and I gained priceless knowledge about performing and the industry.

 

Q7: Tell us about other theatre experiences?

I have had a wonderful opportunity to perform in multiple states and even in Japan. While living in Pensacola, FL, I had the pleasure of working at the Pensacola Little Theatre where I got to play Ado Annie in “Oklahoma”. That was one of my favs!

 

Q8: Are you excited about tap dancing in “Mary Poppins”?

Tapping… I’m excited about tapping… Wait… Never mind… Feeding the Birds… I’m excited about feeding the birds!

 

Charleston Stage’s “Mary Poppins” continues running April 21 – May 1, 2016, at the Historic Dock Street Theatre. For tickets, call (843) 577-7183 or purchase online by clicking here.

 

 

 

 

 

 

Q1: What is your first memory of seeing “Mary Poppins”?

My very first memory of “Mary Poppins” was when I was in grade school, and movies were shown at the drive in, or because I was a California Kid and Disneyland/Hollywood were near, the local library received reels of the current Disney films. My older sisters or our Mom took me to the special screenings. That’s where I saw many Disney films, including “Mary Poppins”.

 

Q2: What role do you play?

I LOVE musicals, and being asked to portray Mrs. Corey has been a delight! I’m super excited about the pageantry of the costume, the Island accent I was encouraged to create for the character and just the shear spectacle of color that is taking place on stage during the infamous SUPER CAL number.

 

Q3: What was the funnest moment of the rehearsal process for “Mary Poppins”?

Charleston Stage rehearsals are usually a hoot from beginning to end. The wonky letters that spell out that fabulous word could easily get the cast into some questionable staging if not careful, where inadvertent spelling of questionable words worthy of censorship, and not meant to be seen by all audiences. The entire cast is comprised of a completely zany group, but I would have to say Andrea Rausch (Bird Woman) keeps me in stitches.

 

Q4: Where are you originally from?

The first 1/3rd of my life was spent in sunny Southern California. In many ways I am still a slightly brown “Valley Girl.” My parents then decided that migrating back East to their childhood home in Mississippi was a bright idea. I did my penance there, graduated high school, and put in a semester at a small community college. Then I made my escape by way of the military. Fast forward through my 20’s, and 30’s and I’ve been a 22+ year resident of Charleston, while raising one daughter and sending her off to college last Fall 2015. I try to travel as much as I can afford to, to visit with my “looks too young for 78-year-old” Mother, my oldest sister outside Dallas, TX, and my middle sister and younger brother, who are now new residents of Las Vegas, NV, my college daughter and all of my other extended family.

 

Q5: How did you get involved with theatre?

During middle school, my music teacher approached my mother and convinced her that I should receive voice lessons. All the time in both high school and college: music and performing were my escape, transporting me to places that looked nothing like “small town” MS. An error in scheduling kept me out of chorus during my Freshman year of high school, but that never happened again. My tuition and fees when I attended college were supplemented by a partial performing arts scholarship. Good times.

A genuine love of singing and music from childhood, and an early introduction to music and theater, led me to the shows and the roles that I’ve been blessed to have. I am super stoked about this part, especially now that I have a full circle understanding of the cliché that “There really are NO small parts… just small actors…”  I continue to learn something from everyone that I have the opportunity to be around, whether director, stage manager, music director, choreographer or fellow actors.

 

Q6: Tell us about other theatre experiences.

Back in 2012, a wonderful friend and theater mentor, Henry C. Middleton, graciously invited me to the “Porgy and Bess” audition, and then somehow convinced the panel to cast me in the ensemble. On the afternoon of our final Sunday matinee of “Porgy and Bess”, the beautiful opera written about Charleston, and performed for the very first time ever on the Dock Street Stage, we strolled down the sidewalk to a cast party. Henry implored me to continue with being involved with theater. One day in 2013, to my surprise I received an email informing me of the auditions for Charleston Stage’s “Gershwin at Folly”. My theater experiences really feel as if they have taken off to another level, just in the last 4 years, especially since becoming involved with Charleston Stage.

 

Q7: Do you get to fly in “Mary Poppins”?

No, but I’m excited for Resident Actors Nathan Burke (Bert) and Carin Lagerberg (Mary Poppins) who will be doing the tap dancing while flying, and the magnificently choreographed ensemble tap and dance numbers as a whole. What the director, designers, stage engineers, costumers, and crew are able to create is simply magic!

 

Charleston Stage’s “Mary Poppins” continues running April 21 – May 1, 2016, at the Historic Dock Street Theatre. For tickets, call (843) 577-7183 or purchase online by clicking here.

 

 

 

 

 

 

 

From Preliminary Sketch to Finished Set

Design Notes from Julian Wiles
Scenic Designer of “Mary Poppins”

 

Folks often ask how we come up with the sets for Charleston Stage productions.  When we get the script we don’t get the sets or even the set designs for the scenery a show needs.  Sets and costumes for Charleston Stage are original and constructed in our own scene shops.

And all of the set designs and scenery for “Mary Poppins” were assigned to me.  I decided to start with the nursery.

In the original production of “Mary Poppins” on Broadway there were actually two sets for the children’s nursery— the nursery itself and a separate set for the rooftop.  With our limited space at the Dock Street Theatre, it seemed to me to make more sense to combine these two locales.  The result gives us an imaginative nursery with the rooftops above it.

I also thought it would be fun to have Michael’s side of the nursery based on a castle and Jane’s on a dollhouse.  From these basic ideas I started with a really rough pencil sketch which you can see below.

From this sketch a scale “white model” was created by our production staff.  This is a simple, white cardboard scale model that helps us flesh out the design.  Next  director Marybeth Clark used this model to be sure all the staging she had in mind would work before we moved forward and began to build this set.

Once we had approval from Marybeth, working drawings (blueprints) for the nursery were created and last December our shop staff went to work constructing all of the walls, rooftops and other scenic elements for this enchanting set.  After the walls and roof sections were complete, scenic charge artist Jessica Novo and scores of volunteers, including many of our TheatreWings High School Apprentices, went to work painting all the many details on the set.  To create more depth and a more realistic 3-D look, shading was added to details like the roof shingles and the brick chimneys. The result is this lovely nursery set.

There are some magic tricks hidden here and there on this set, but I won’t give those away.

We hope you are pleased with the result, and remember the nursery set is only one of eight magical sets for “Mary Poppins”!

 

Charleston Stage’s “Mary Poppins” continues running April 21 – May 1, 2016, at the Historic Dock Street Theatre. For tickets, call (843) 577-7183 or purchase online by clicking here.

 

 

 

 

 

Q1: Tell us about your first memory of “Mary Poppins”.

I remember singing “Supercalifragilisticexpialidicious” all the time as a little girl. Somehow, I remember the song more than Mary Poppins herself.

 

Q2: What role are you playing in “Mary Poppins”.

I’m playing the role of Mrs. Winifred Banks. She’s a little different in the musical than most know her to be from the movie. It’s a nice challenge because I’m often cast in strong roles, whether that be in character or mindset, but Mrs. Banks in this version is a little more timid. She wants to be a strong woman but also wants to do right by her husband. She is without a doubt loving, compassionate and feminine.

 

Q3: Where are you from?

I’m a Georgia Peach turned Northern Virginian turned South Carolinian. I know I’m not supposed to say I’m a Charlestonian… but 20 years has to count for something? I’m proud to call Charleston home.

 

Q4: How did you get involved in theatre?

I’ve always been a little dreamer and dipped my toes in everything. I first dipped my toes in the cold, year-round, 4:30am water as an all-star competitive swimmer and springboard diver (Junior Olympics – 50 meter breaststroke!). Soon, I was also a ballerina, and a baseball, basketball, soccer and tennis player. If my older brothers were doing it then I had to do it too. I found piano, music, voice and my mean go-cart racing skills on my family’s coattails. I think doing everything made me want to be everything. Acting allows me to explore all of those lives.

 

Q5: Where did you receive your theatre training?

I was one of 30 selected to attend the Drama program at the South Carolina Governor’s School for the Arts the summer between my Junior and Senior years of High School. It was an intense 6 weeks of study under top professionals and educators. Everything points back to this moment. I even met one of my best friends and colleagues, David Lee Nelson, at SCGSA.  I went on to earn a BA at College of Charleston in French and Theatre, a Masters in Performing Arts at the Savannah College of Art & Design and studied Music Theatre at NYU.

 

Q6: Tell us about some of your favorite roles you’ve played.

So many! Little Edie in Grey Gardens is a role I’ll keep close to my heart always, Lady of the Lake in Spamalot allowed me to be the queen mermaid I always knew myself to be, Patsy in Always… Patsy Cline was an honor, Lulie in 5 Lesbians Eating A Quiche for taking me out of my comfort zone and for the laughter, Miss Janus in London Wallbecause of her strength, Hennie in Awake and Sing! for not being afraid to pursue her own happiness, Violet in 9 to 5 because it’s 9 to 5!!, Rachel in Bloody Bloody Andrew Jackson for allowing me to unleash my inner rocker, and last but not least, a role I’d like to play forever – Frau Blucher in Young Frankenstein. Yeeessssss!!!!!!!!!

 

Charleston Stage’s “Mary Poppins” continues running April 15 – May 1, 2016, at the Historic Dock Street Theatre. For tickets, call (843) 577-7183 or purchase online by clicking here.

 

 

Q1: Tell us about your first memory of seeing “Mary Poppins”?

Veruka: I loved the tap dancing! When the chimney sweeps were dancing on the rooftops I was like, WOW!

Tyler: My favorite part of the movie has always been “Step in Time”. I saw the National Tour a few years ago and I loved how Bert tap-danced upside-down on the ceiling in this musical number.

 

Q2: Tell us about playing the role of Jane/Michael Banks.

Veruka: Jane is definitely a dream role. I am so excited to be a part of the magic in “Spoonful of Sugar” and to make the room clean up by itself!

Tyler: Ever since I heard Charleston Stage was doing “Mary Poppins”, I wanted the part of Michael Banks. I never thought I would get it though since this is my first year in Performance Troupe. I couldn’t believe it when I found out I got it. I had a performance at school that night and I remember telling my music teacher that I got the part of Michael and she went crazy. That was when I really realized what a big deal it was.

 

Q3: What was your favorite part of the rehearsal process of “Mary Poppins”?

Veruka: The best part of rehearsal besides the singing and dancing, was hanging out with the other cast members.

Tyler: The most fun thing for me so far was finding out that I got to do some tap-dancing in “Step in Time”.

 

Q4: Where are your from?

Veruka: I grew up in NYC and just moved to the Charleston area a year and a half ago.

Tyler: I was born and raised in Mount Pleasant, SC.

 

Q5: How did you get interested in theatre?

Veruka: My mom always listens to show tunes and brought me to see shows when I was still a toddler. I guess I always just loved theater and wanted to be a part of it.

Tyler: When I was little I loved dressing up in costumes, acting out the parts and putting on shows for people. When I was two and a half I became obsessed with hibachi chefs and imitated everything they did (see photo below). My mom and I would watch You Tube videos so I could learn new tricks. I had little wooden knives and food that I used to pretend. My grandfather even made me an onion volcano out of wood. That was all I played for almost a whole year. My parents had to get a new coffee table because I made so many marks on the old one with my knives. My mom said that I needed to be on the stage and that when I was old enough I had to start taking acting classes. As soon as I turned 5 she signed me up for drama at the rec department.

 

Q6: What have been some of your favorite roles you’ve played?

Veruka: At French Woods, I had the role of Cinderella in “Cinderella” which was so much fun! But my first time on stage at the Dock Street Theatre as Minnie May in “Anne of Green Gables” was the most exciting. It was a small role, but I learned so much from the professional actors and it was exciting to be in a “real” theater.

Tyler: Michael Banks is by far my favorite role so far. I really liked playing Jafar in “Aladdin Jr.” last summer with Charleston Stage. The summer before I played JoJo in “Seussical Jr.” When I was 8, I played Tom in “There’s a Monster in My Closet” with Streamline Productions and Andrea Rausch, who is playing the bird lady in our “Mary Poppins”.

 

Charleston Stage’s “Mary Poppins” continues running April 14 – May 1, 2016, at the Historic Dock Street Theatre. For tickets, call (843) 577-7183 or purchase online by clicking here.

 

 

 

 

 

Q1: Tell us about your first memory of seeing Mary Poppins.

I remember watching the movie quite a bit as a kid. I was obsessed with the “Spoon Full of Sugar” scene. I saw it for the first time on stage about a year and a half ago and absolutely was crying by the end. It’s a beautiful story.

 

Q2: What role do you play in Mary Poppins?

I play Mr. Banks. A role, I will admit, I didn’t quite feel right for at first. But after day one of blocking rehearsals, I thought “Oh I can absolutely do this!”. He is more stoic and reserved than I tend to be, so it has been fun tapping into a side of myself I rarely get to explore onstage.

 

Q3: What’s been the best part of returning to Charleston to perform?

Definitely working with friends and colleagues at Charleston Stage for the first time since I was a Resident Actor 8 years ago! This fun and trusting environment is just as I remember it!

 

Q4: Where are you from?

I grew up on the Southwest Side of Chicago and have been living in my own apartment on the Northside for 7 years. It is an incredible theatre town and I’m very proud to be living there as a working actor! And equally proud to be back in Charleston for these couple months.

 

Q5: What drew you to theatre and performing?

I saw Maury Yeston’s version of Phantom when I was 7 at the old Candlelight Dinner Playhouse on the Southside of Chicago. Ever since then- I’ve been hooked!

 

Q6: What was your theatre training?

I went to Western Illinois University and received my BFA in Musical Theatre. Right after that I was in Charleston for 10 months as a Resident Actor. I’ve always wanted to come back and work for Charleston Stage again, so this has been a dream!

 

Q7: What were some of your favorite roles you performed with Charleston Stage when you were a Resident Actor?

To this day Tick, Tick…Boom! And A Year with Frog and Toad with Charleston Stage remain two of my favorite theatrical experiences. They were perfect. And incredibly rewarding.

 

Q8: Do you get to fly in Mary Poppins?

I don’t get to fly! Unfortunately. Now THAT would be a dream.

 

Charleston Stage’s “Mary Poppins” runs April 8 – May 1, 2016, at the Historic Dock Street Theatre. For tickets, call (843) 577-7183 or purchase online by clicking here.

 

 

 

 

 

 

Q1:  Tell us about your first memory of seeing/reading Mary Poppins.

The movie of Mary Poppins is one of my favorites. I don’t specifically remember the first time I saw it, but I do know that I was around four or five–I still have my first copy of it on VHS. I’ve watched it countless times since then, and it always brings me so much joy. Julie Andrews is one of my all-time favorite actresses.

I didn’t start reading the books until last summer after I found out that I had been cast as Mary. They are absolutely charming and give you a lot of insight into who Mary is that the movie doesn’t. She is a lot more vain and stern in the books, though the love and desire to help the Banks family is, of course, the same. P.L. Travers is a brilliantly creative writer who paints extremely vivid word pictures. Through Mary, she really expands the imaginations of Jane and Michael and awakens their desire for adventure, which is a much needed refreshment in our world today where technology does so much of our imagining and thinking for us.

 

Q2:  Is Mary a dream role for you?

Mary is most definitely a dream role for me. I remember seeing the Broadway musical in New York in high school and just being in awe of how such a beloved story had been created into this wonderful production. I’m so excited to bring the joy of Mary Poppins to the Charleston community. We say all the time in rehearsal how you just can’t help but to be happy when you watch it, and I can’t wait to spread that to other people as well.

 

Q3:  What’s been the funnest moment of rehearsal so far?

The best part of rehearsal has been watching everyone’s characters come to life. This cast is so talented, and it has been really fun and interesting to see the different ways that people interpret and add their own personalities to the characters. I also really love the dance in “Supercalifragilisticexpialidocious.” It’s so zany and fun.

 

Q4:  Where are you from?

I grew up in Knoxville, TN. I am a southern girl through and through! Both of my parents are artistic: my mom is an amazing singer and choir director and my dad is a beautiful artist and photographer. I grew up going to choir concerts, plays and the symphony. I can remember many a Saturday afternoon spent listening to the Metropolitan Opera broadcast on NPR.

 

Q5:  How did you get involved in theatre?

I sang with the Knoxville Children’s Choir and Knoxville Opera Children’s Chorus all through elementary and middle school and then began doing more theatre at school and in the community when I was a little bit older. I had a wonderful theatre teacher in high school who really inspired me to pursue performing and teaching as a career. I received further theatre training from Samford University in Birmingham, AL, and graduated last May with a Bachelor of Fine Arts in Musical Theatre.

 

Q6:  Tell us about another role you’ve loved playing.

One of my favorite roles I played was Jane in the musical Jane Eyre at Samford. The music and story are beautiful, and I really connected with her on a personal level.

 

Q7:  Are you excited about flying?

I’m so excited to fly! I’ve wanted to fly on stage ever since I knew that that was possible, and I can’t wait to finally do it!

 

Charleston Stage’s “Mary Poppins” runs April 6 – May 1, 2016, at the Historic Dock Street Theatre. For tickets, call (843) 577-7183 or purchase online by clicking here.